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- The Little Foxes
-
-
- (March 6, 1939)
-
- The Little Foxes is the season's most tense and biting drama
- -- as tense and biting as was Playwright Lillian Hellman's The
- Children's Hour. From the Song of Solomon comes the title: "Take
- us the foxes, the little foxes, that spoil the vines..." Study
- of a rapacious Southern family on the make at the turn of the
- century. The Little Foxes catches the Hubbards -- who by sharp
- bargaining and hard ways have achieved small town prosperity --
- on the point of becoming heel-grinding, big-time industrialists.
-
- Oscar Hubbard (Carl Benton Reid) is mean, tight-lipped,
- greedy, his brother Ben (Charles Dingle) shrewder, more capable,
- more sardonic; their sister Regina (Tallulah Bankhead) grandly
- and coldly ambitious for wealth, power, position. The trio's
- business schemes require the financial help of Regina's dying
- husband; and, sick of their vulpine methods, he refuses it. Out
- of this deadlock springs powerful drama of intramural conspiring
- and double-crossing, theft and virtual murder.
-
- With such implacable people Playwright Hellman has dealt
- implacably, exerting against them a moral pressure to match
- their own immoral strength. Both the Hubbards and their
- playwright-inquisitor work at a pitch too relentless for real
- life. But it is the special nature of the theatre to raise
- emotions to higher power, somewhat simplifying, somewhat
- exaggerating, but tremendously intensifying. Playwright Hellman
- makes her plot crouch, coil, dart like a snake; lets her big
- scenes turn boldly on melodrama. Melodrama has become a word to
- frighten nice-nelly playwrights with; but, beyond its own power
- to excite, it can stir up genuine drama of character and will.
- Like the dramatists of a hardier day, Lillian Hellman knows
- this, capitalizes on it, brilliantly succeeds at it.
-
- For Tallulah Bankhead -- who, since her return from England
- in 1933, has floundered around in uncongenial roles -- The
- Little Foxes offers a chance for powerful acting, and she takes
- it. She plays the masterful Regina with authority and insight.
- Herman Shumlin has directed the play in a style worthy of its
- significance and its star.
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-